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Upcoming Performances
September 24, 2010 Harrisburg, PA
September 26, 2010 Baltimore, MD
September 27, 2010 New York, NY
October 2, 2010 Tulsa, OK
October 3, 2010 Tulsa, OK
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Steven R. Gerber
Mr. Gerber's new work, Spirituals, was commissioned for the 2000-2001 season,
and performed on January 27, 2001 at
the Whitaker Center (Harrisburg, PA) and on January 31, 2001 at Merkin Hall (New York City).
Steven R. Gerber's music is known for its emotional directness, textural
clarity, meticulous craftsmanship, and avoidance of both flashiness and academicism. Over
the years, his harmonic language has changed - from the chromatic, dissonant intensity of
his early Trio for violin, cello, and piano (commissioned by the Kindler Foundation when
he was only 19), through the austerity of such serial works from the 70's as Dylan
Thomas Settings and Illuminations, to the tonality of much of his recent music, beginning
with the Piano Sonata (1981-82). Yet Gerber's voice has remained recognizably his own,
and his music has received considerable recognition in recent years. Most recently, he
received a grant from the Aaron Copland Fund for Music, Inc., for the National Chamber
Orchestra to record his Violin Concerto, Cello Concerto, and Serenade for String Orchestra
on Koch International. The conductor will be Piotr Gajewski and the soloists will be
cellist Carter Brey and violinist Kurt Nikkanen.
After the American premiere of his Violin Concerto at the Concert Hall of the John F.
Kennedy Center for the Performing Arts in 1995 by Nikkanen and the National Chamber
Orchestra under Gajewski, the Washington Post called it "a major addition to the
contemporary violin repertoire: lyrical, passionate, beautifully tailored to the
instrument's character and capabilities...Gerber has revived the spirit of romanticism
in this work, with a strong sense of tonal melody and of the dramatic effects and
surprises still possible in traditional forms...one of the year's most memorable
events." And when Carter Brey premiered his Cello Concerto with the same orchestra
and conductor in 1996, the Washington Post said, "Gerber's concerto seems to have
what it takes to establish a foothold.... The music is composed with a fine sense of
instrumental color.... Gerber has given his soloist some fine, expressive melodies."
Four orchestral works of Gerber will be released on Chandos in June, 2000: Symphony #1,
Dirge and Awakening, Viola Concerto, and Triple Overture, performed by the Russian
Philharmonic Orchestra, Thomas, Sanderling, conductor, with Lars Anders Tomter, viola, and
the Bekova Sisters Trio. Other recent works of his include a Viola Concerto written for
Yuri Bashmet and premiered by Bashmet at his summer festival in Tours in 1997; String
Quartet #4 for the Fine Arts Quartet, premiered by them in Milwaukee in 1996; two works
for Tatyana Grindenko, who has given numerous performances of Gerber's Violin Concerto
in the U.S., Russia, and Estonia; and two works for the London-based Bekova Sisters Trio.
In addition to his success in the United States, Mr. Gerber has becomes perhaps the most
often-played living American composer in the former Soviet Union, which he has toured 10
times since 1990, and where he has received literally dozens of orchestral performances
and numerous concerts of his solo and chamber music. Recent recordings of his music
include Une Saison en Enfer, a cantata for chorus, baritone solo, and piano
performed on CRI by The New Calliope Singers with Will Parker, baritone; two works for
solo violin on Curtis Macomber's solo album on CRI, Fantasy and Three
Songs Without Words; and Elegy on the Name "Dmitri Shostakovich"
on the French label, Suoni e Colori.
Gerber was born in 1948 in Washington, D.C., received degrees from Haverford College and
from Princeton University, where he received a 4-year fellowship, and now lives in New
York City. His composition teachers included Robert Parris, J. K. Randall, Earl Kim, and
Milton Babbitt. He is a member of BMI and a board member of The American Composers
Alliance.
Notes to Spirituals
Spirituals, along with Gershwiniana for three violins, which immediately
preceded it, is something new in Gerber's work, though common throughout the history
of music, namely compositions based on pre-existing material. With the exception of the
last two movements, which are largely though not completely arrangements, the
Spirituals are all completely new compositions and are based on different aspects
of various spirituals - sometimes fragments of the original melodies, sometimes just the
melodic contour, sometimes only the rhythm. The intention is not in any way to deconstruct
or even re-interpret the original spirituals, but merely to use them as the basis for new
inspirations whose character is sometimes similar to, sometimes totally different, from
the source material. Two of the titles may need explanation: Homage to John
Harbison uses grace notes in a way inspired by the grace notes in Harbison's work
for solo oboe, Amazing Grace; and Homage to Ravel borrows its arpeggiated
harmonics from Gerber's favorite work of Ravel, the first of his Trois
Poèmes de Stéphane Mallarmé.
-- Steven R. Gerber
Spirituals
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Melody Over a Drone I (O Mary, Don't You Weep, Don't You Mourn)
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Minimalist Tendencies (Sometimes I Feel Like a Motherless Child)
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Amazing Grace Notes: Homage to John Harbison (Nobody Knows the Trouble I've Seen)
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Call and Response (Go Down, Moses)
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Two Pentatonic Fragments (Go Tell It on the Mountain and Study War No More)
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Minor and Major (This Ol' Time Religion)
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Melody Over a Drone II (Deep River)
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Canons and Chorus (Glory to That Newborn King)
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Six-Bar Blues-Tango in 3/4 Time (Wade in de Water)
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Major Blues (A Blues Arrangement of Jesus Goin' to Make Up My Dyin' Bed)
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Homage to Ravel (An Arrangement of Balm in Gilead)
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