Concertante

Oded Zehavi

Mr. Zehavi's new work, Shir, was commissioned for the 1999-2000 season, and performed on March 29, 2000 at the Whitaker Center (Harrisburg, PA) and on April 1, 2000 at Merkin Hall (New York City).

In recent years, Oded Zehavi has emerged as a major voice in a new generation of Israeli composers. Born in Jerusalem in 1961, he considers his major teachers to have been George Crumb (U.S.A.) and Andre Hajdu (Israel). After completing doctoral studies at SUNY-Stony Brook with Sheila Silver, Zehavi returned to his native Israel in 1992. He has held the post of composer-in-residence for the Haifa Symphony Orchestra as well as the Israel Chamber Orchestra and has been Professor of Composition and acting Chair of the Music Department at Haifa University since 1995.

Oded Zehavi's music has been performed, commissioned and recorded by such ensembles as the London Philharmonic Orchestra, the Kirov Opera Orchestra under Valery Gergeiev, the Israel Philharmonic Orchestra under Leonard Slatkin and Antonio Pappano. the Northwestern German Philharmonic, the Israel Chamber Orchestra under Shlomo Mintz, Chanticleer, the New York University Chamber Players, Musica Viva Italia and by musicians such as flautists Samuel Baron and Eugenia Zukerman, as well as conductors David Robertson, Marek Janovsky and David Porcelijn.

Zehavi has been the recipient of numerous commissions, awards and honors such as the Barlow Foundation Commission (for the BYU Chamber Orchestra), an Annenberg Fellowship and the 1995 Prime Minister's Prize for music composition given by Shimon Peres. Future commissions include a work to be premiered at Carnegie Hall in 2001 for the Huberman String Quartet and a short composition for piano solo for the next Rubinstein Piano Competition.

A prolific composer for the symphonic and concert hall, Zehavi is equally at home with composition for pop/rock, theater, film and dance. He has collaborated numerous times with major Israeli performers and the national theater and dance companies, as well as scoring for Israeli feature films and documentaries for the BBC, ABC and Canal Plus Television.

Notes to Shir

The Hebrew word Shir means a song or melody in its most simple and pure form. This string nonet was written especially for Concertante and takes its main inspiration from this fundamental concept of song. Melodies and traditional/nontraditional treatments of melodies are the essence of this opus. The first movement is based on an imaginary, yet ever so flexible chant, in itself a very personal combination of Gregorian and Hebraic plainsong. The string ensemble is treated almost like a "congregation" both in the Christian and Judaic sense and from this congregation emerges individual passionate solo outbursts which shape the emotional content. The movement uses unisons and heterophonic cells as an additional concept for the solo and chant-like sections. The second movement is a melodious fantasy on new and related material, designed to showcase the ability of the individual players in various areas including expressiveness, interpretation and beauty of tone. The third movement imitates and expands a folk-like atmosphere by utilizing the concept of the "round" song form, with some "guest appearances" of bitter and cynical elements. The work ends on an ambiguous note, and since Zehavi is still attached to the writing process, he's counting on the players and audience reaction to help him decide the nature of this ambiguity.

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