Concertante

Tigran Mansurian

Mr. Mansurian's new work was commissioned for the 2006-2007 season as part of Concertante's One Plus Five Project, and was performed on Saturday, March 24, 2007 Baltimore,on Sunday March 25, 2007 at the Whitaker Center (Harrisburg, PA) and on Tuesday, March 27, 2007 at Merkin Hall (New York City).

Tigran Mansurian

Tigran Mansurian, born in Beirut in 1939 and raised in Armenia, studied at the Yerevan Music Academy and completed his PhD at the Komitas State Conservatory where he later taught contemporary music analysis. Mansurian quickly became one of Armenia's leading composers, establishing strong creative relationships with international performers and composers such as Valentin Silvestrov, Arvo Pärt, Alfred Schnittke, Sofia Gubaidulina, André Volkonsky and Edison Denisov as well as Kim Kashkashian, Jan Garbarek, and the Hilliard Ensemble. Mansurian was the director of the Komitas Conservatory during the 1990s. He has recently retired as an administrator and teacher in order to concentrate exclusively on composition. Mansurian's musical style is characterized mainly by the organic synthesis of ancient Armenian musical traditions and contemporary European composition methods. His oeuvre comprises orchestral works, seven concerti for strings and orchestra, sonatas for cello and piano, three string quartets, madrigals, chamber music and works for solo instruments.

Notes to Con Anima

When I started Con Anima, my thoughts went to Shostakovich’s No. 13 string quartet, since in this work the viola has a dominant role. Con Anima is a one movement piece, with five provisional subsections. The soloist, the first viola, has solo parts at the beginning of the piece, in the middle, and at the end. In between these solos, the two main parts unfold; in them, the viola has a leading role in the sextet. Con Anima carries the tone of confession: in this case “telling the truth” is equivalent to speaking from the depths of the soul.

I have dedicated this work - naturally - to Ara Gregorian and to Concertante

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